Ezekiel

The second realistic sculpture (Ezekiel) represents subjugation to what the eye can see, total surrender to and obsession by what is observed. In the “ecstasy of hyper-reality” of our post-modern world, man is petrified and appalled by the exaggerated closeness of things, by their omnipresence and tele-presence, by the total promiscuity of all the things that besiege him and to which he surrenders without resistance…